Yesterday it was
my birthday,
I hung one more
year on the line;
I should be
depressed, my yard’s a mess,
But I’m havin’ a
good time.
I’m digging and
weeding and planting,
I’m exhausted from
gard’ning so well;
I should go to bed
but a voice in my head
Says, “Oh, what
the hell.”
with apologies
to Paul Simon
I have conducted a life-long love affair with Paul Simon’s
music. His lyrics have spoken to me since the 1960s, when I knew all the words
to all the songs from “Bookends,” “The Sounds of Silence,” “Parsley, Sage,
Rosemary and Thyme,” and “Bridge Over Troubled Water.” (Still do.) I
convinced my teenaged self that I was the Kathy on the bus from Pittsburgh in
“America,” sans cigarettes. A
term paper entitled “Themes of Alienation and Loss in the Songs of Simon and
Garfunkel” turned in when I was a junior in high school brought me my first
important accolades as a writer: so impressed was the English teacher that she
made it required reading for her senior classes.
Fortunately,
I had no social life at the time anyway so repercussions were insignificant.
What
angst-filled adolescent didn’t thrum in harmony with “And a rock feels no pain
/ and an island never cries”? Or “You read your Emily Dickinson / and I my
Robert Frost, / and we note our place with bookmarkers / that measure what
we’ve lost.” And “The Boxer”!
In
the clearing stands a boxer
And
a fighter by his trade,
And
he carries the reminders
Of
every glove that laid him down
Or
cut him till he cried out
In
his anger and his shame,
‘I
am leaving, I am leaving’
But
the fighter still remains.
Only the
Beatles (with “Hey, Jude’s” nah-nah-nah-nah nahnahnah-nah), could command three
minutes of radio airtime with nonsense syllables the way Simon did in “The
Boxer”—lie-la-lie, lie-la-lie-lie-lie-lie-lie lie-lie-lie-lie-lie, over and over as
the orchestra swelled in the background. Tears still prick my eyes when I hear
it.
Mincers Pipe Shop on the Corner, Charlottesville, Virginia |
In later
years, I wondered by what Machiavellian contortions he managed to get the New
York version of the Sunday New York Times delivered on Sunday. Mere mortals had to wait until Wednesday.
*****
In one of
those simple twists of fate (old, pre-Christian Dylan’s a favorite, too), I
recently rediscovered knitting. I grew up in a crafty family, and don’t
remember not knowing how to knit, crochet, embroider, crewel, cross-stitch,
needlepoint, petit-point, macramé
and sew. Never cottoned to machine sewing, because it requires, well, a machine;
but I’m still pretty adept with any sort of hand-held needle. This has come in
useful over the years, especially for keeping beloved jeans and overalls in
service. I’m one of probably six people left
in the world who actually knows how to darn socks.
Blue penguins wearing their protective jumpers |
Piglet modeling my best effort |
After a few false starts (like about 20), the stitches came back to me, as did casting on and
binding off. Had lots of practice in picking up dropped stitches, and in
un-knitting to correct mistakes. Must be like riding a
bike, kinetic knowledge stored in one’s cells. The tiny penguin jumpers took
shape. More or less.
Checked in
with the lady at Skeinz, The Natural Yarn Store in Napier, NZ—a town I
remember with great fondness for superlative fish-and-chips—who said the
response from all over the knitting world had been tremendous, and every
oil-coated penguin had an extensive wardrobe at his/her disposal. Oh, dear. No,
no, she said, send your creations on: we’re dressing stuffed-toy penguins to
sell, with a hundred percent of the profits going to the Penguin Rescue Fund. (I've already ordered two, at $25US a pop, for Christmas gifts. Click on "Take Flip Home" under Featured Products on the website linked above.)
Another penguin day, another penguin dollar on the Otago Peninsula (photo by John Burke) |
Will I use
some of my precious time to help them in their time of need? You betcha.
****
Marvelous Allium schubertii |
Happy birthday to me!
*****
Since recovering (to a large extent) from the hormone-induced miseries of adolescence and the self-induced dramas of adulthood, my love for Paul Simon’s way with words endures. Unsurprisingly, his solo opus “Still Crazy After All These Years” provides the soundtrack to my maturation.
So I sit by the window and watch the cars,
I fear I'll do some damage one fine day;
But I would not be convicted by a jury of my peers,
Still crazy after all these years,
Still crazy, still cra-aaa-zy,
Still crazy after all these years.
You better
believe it. Thanks for dropping by.
Kathy
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